Paddy Chayefsky movie reviews & film summaries

Posted by Jenniffer Sheldon on Sunday, April 7, 2024
Scanners

Sorkin's Newsroom: Who, What, When, Where, Why

Jim Emerson  |  2012-07-03

To best appreciate Aaron Sorkin's writing, you should probably know as little as possible about whatever it is he's writing about. Imagine that pithy, rather snarky statement delivered at a rapid clip from the mouth of one of Sorkin's characters. It's a generalization, an oversimplification, but it contains a kernel of truth. I'm gonna be rough on Sorkin's HBO show "The Newsroom" because, dang it, I think it can get better. (According to one character, getting better-ness is in our nation's DNA.)

The press has not been kind to the first couple episodes of "The Newsroom," in part because it displays so little affinity for how news is reported, written and presented. Anybody who's worked in a newsroom would have to cringe at the idea that these characters are being portrayed as professional newsgatherers, even if they are on cable TV, the lowest rung of the journalistic ladder -- just slightly below Murdoch tabloids which, at least, have reporters who gather news illegally rather than just making it up as they go along like they do on cable.

Having some familiarity with how "Saturday Night Live" is put together, I found Sorkin's "Studio 60 on the Sunset Strip" unwatchable, bypassing so many promising reality-based opportunities for comedy and drama while manufacturing absolutely bogus, nonsensical, unbelievable and impossible ones. Doesn't the guy do research? "The Newsroom" feels like it was written in Sorkin's spare time, perhaps between projects he actually cared about.

Don't get me started on his lack of technological savvy. When someone in a Sorkin script says something as common as "blog" or "Twitter" they sound like they're speaking Estonian. Because they may as well be. Even "The Social Network" was weak on showing how technology made Facebook into a popular and compelling user experience. As Bobby Finger at BlackBook wrote, MacKenzie McHale (Emily Mortimer) calls the rebooted show they're doing "NewsNight 2.0" because "in this parallel-universe-alternate-history-2010, people still speak like it's 2006. They also use email like it's 2001..." (More about that in a moment.)

ncG1vNJzZmivp6x7s7vGnqmempWnwW%2BvzqZmnJmjqXqiusNmmqudp2S9orDDsmScoJGusqe%2FyrI%3D